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TRANSPERCUSSION: MEMORIAE

Actualizado: mar 19

Transpercussion II


Program:

SILENCED (2019) *

For two percussionists, effects pedals, transducers and real time electronics

ELENA RYKOVA (1991)


SUMI-E (2019) *

For percussion duo

INÉS BADALO (1989)

ESTRUCTURAS DE LO INAUDIBLE (2019) *

For two percussionists and electronics

GONZALO NAVARRO (1981)

---T----SchB---K(o) (2019) *

For two percussionists and set over two percussionists

CAROLINA CEREZO (1993)

PIEL Y MEMORIA (2019) *

For percussion duo, objects, transducers and MIDI controller

ABEL PAUL (1985)


* Commission of NEOPERCUSION

Auditory, visual and haptic memory are the experiences from which this program arises. Even memories from childhood and youth are recovered to create an experience that moves between the sound perception and the observation of our own reactions to this perception. The audible is perceived sometimes through another sense, sometimes through intuition. What is whispered is not concrete evidence of something, but rather the evocation of its materiality. The three performers still, create a circuit to be feeded by the actions of one, the other or the third; this circuit carries an energy that someone in some way will transform in sound, gesture, or even pure will. Silent, barely perceptible their movements, minimal actions are capable of transmit to the skin of the instrument a tiny mechanic impulse -as it if it were a caress-, exciting it, which produce several consequences that are again introduced into the circuit. The composer, as a calligraphist, varies the pressure, direction, intensity of the gesture, subtly shifting its flux, making visible a diversity of ways of touching the skin, excite the skin, thus recovering through gentle touch and whispering, memories and desire.

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